While working with a wide range of sculptural media including ceramics, fountains, lamps, and 3D printing, Lawson’s practice also encompasses film, video, installation, photography, performance, and text. Her practice often deals with the presence and agency of objecthood in virtual and physical spaces. Numerous bodies of work investigate states of infatuation with virtual personas and both virtual and physical objects.
Recent exhibitions include “Non-Target Unknown” a two-person exhibition at Stockholm Platform curated by Martha Kirszenbaum as well as solo exhibitions “Wokeness” at Galerie Lisa Kandlhofer in Vienna and “NOPE” at Gillmeier Rech in Berlin. In 2016, she presented a large-scale performance at the site of the reconstruction of the historic Berliner Schloss in addition to a symposium about objectum sexuality as part of the 9th Berlin Biennale.
Her work has been exhibited internationally at venues such as Herald St., London; LAXART, Los Angeles; Yossi Milo Gallery, New York; Centre Pompidou, Paris; Frutta Gallery, Rome; Kunstverein Leipzig; Piktogram, Warsaw; Trafo Contemporary Art Center, Budapest; and TEA Museum, Tenerife.